It started with a scene. A man walked into his living room, a place filled with books, books that had always been meant to bring people together. But now, they had been used to build partition walls. When Rosetta explained that they had used books as dividers, Bellavista didn’t get angry. He got disappointed. Because books, like ideas, were never meant to separate. They were meant to unite. And then comes that scene: the man, walking slowly through the salon, crossing islands divided by books, giving us, without knowing it, a runway. Our runway became that living room. Books formed corridors and passages, but clothes and people moved through them, opening space, creating dialogue. The collection spoke that same language: sharp, elegant tailoring rooted in Neapolitan tradition, mixed with unexpected details, a quiet rebellion, a subtle irony, as if each garment carried a story, a reflection, a question. A collection for those who believe that culture, beauty, and ideas are meant to be shared, not used to divide.

The collection opens with warm tones, burgundy, red, and grey, moving into camel, cognac, chocolate, peacock blue, and cream, and closing with military green and evening shades of black and navy. Softened shapes redefine sartorial elegance. Coats and jackets lead the collection, from duffle and maxi coats in double cashmere, alpaca, and bouclé to tailored jackets paired with fluid trousers. Cashmere knitwear features intarsia and textured finishes, while nappa and suede appear in bombers, shirt-jackets, and blazers. A red wool duffle coat stands out. For women, the palette mirrors the men’s, plum, grey, camel, chocolate, and ivory, with black for evening. Enveloping silhouettes merge Neapolitan tailoring and masculine lines, culminating in the must-have double cashmere maxi cape.